The Gallery Pitch Toolkit

Pitch a gallery tonight. Not next weekend.

10 cold-email templates with 10 worked examples, a 3-step follow-up sequence, and the swipe file that turns three wasted weekends into one twenty-minute email — ten times over.

Instant download · 14-day refund · Built by a gallerist who's read thousands of artist pitches over 15 years.

Gallery Pitch Toolkit — product box
The problem

You already have the work. You just don't know how to write the email.

Every artist hits the same wall: the subject line sounds wrong, the opening line sounds needy, the follow-up feels like begging, and a rejection email slams the door for good. So the emails don't get sent — and another year goes by where your career depends on getting lucky.

Gallery outreach isn't a creative problem. It's a writing problem with a known solution.

The galleries that matter get hundreds of emails a month. The artists who get picked up aren't the ones with the best work in the inbox — they're the ones whose emails signal, in the first three sentences, that they understand the program and respect the reader's time.

How do I know this works?

Because I'm the person on the other side of the inbox.

I'm Chris Davies. For 15 years I've run Fabrik Projects in Los Angeles, received thousands of artist submissions, and learned exactly which emails get opened, which get forwarded to curators, and which get moved to trash in six seconds flat.

15+
Years running Fabrik Projects gallery in LA
1,000s
Artist pitches read, sorted, and filtered
14
Years publishing Fabrik Magazine
Fabrik Projects Gallery Fabrik Magazine Photo Independent Fabrik Fair 3 Weekly Newsletters

Want to work with Chris beyond the Toolkit? Join the waitlist for The Creative Practice →

Why I built this

The work is usually already there. The bridge from studio to inbox isn't.

For years, the same challenge has come up in almost every conversation I've had with the artists I coach. Hundreds of them at this point. It's rarely the work. It's the reach-out — where to start, what to say, what to actually put in the email.

So I went back through the inbox and studied the pattern. What the 5% were doing differently, what the 95% were getting wrong — and packaged it into a single toolkit any artist could pick up and use.

What's inside

Five questions every artist asks about gallery outreach. Here's the asset for each.

Most "how to pitch galleries" advice hands you opinions. The Toolkit hands you the specific tool that answers the exact anxiety keeping you from hitting send tonight.

What do I even put in the subject line?
The asset
25 Subject Line Swipe File
Organized by relationship tier — curiosity for cold, specificity for researched, warm for mutuals, bold only when the work backs it up. Plus a worked example showing which line to pick in four real scenarios.
Pages 24–25 · $79 value
What do I actually write in the email itself?
The asset
10 Templates + 10 Worked Examples
Every common scenario covered — first-time intro, warm referral, post-show, group show fit, solo show proposal, residency pitch, re-engagement, local, international, art fair follow-up. Each template paired with a fully filled-in example.
Pages 3–22 · $247 value
How do I follow up three times without looking like I'm begging?
The asset
3-Email, 30-Day Follow-Up Sequence
Day 5 gentle check-in, Day 14 value-add, Day 30 clean close. Exact copy for each. Most artists quit after one email. This is the rhythm that earns the reply without burning the relationship.
Pages 23 + 26 · $97 value
How do I know a gallery is even a fit before I waste an email?
The asset
10-Point Research Checklist
Program fit, roster, recent show, decision-maker, policy, career stage, geography, warm connection, recent news, your readiness. Fifteen minutes of this beats an hour of rewriting. Plus a fully filled-in example.
Pages 27–28 · $49 value
What do I say when they reject me — or ignore me for six months?
The asset
Rejection Response Template + Re-Engagement Loop
The reply that turns a "no" into a "not yet" — filled-in example included. Plus the six-month re-engagement framing that keeps the door open. Most artists slam the door on themselves. The Toolkit keeps it propped open until the right slot opens.
Pages 31–32 · $49 value
Why this is worth $17 tonight

One gallery relationship can turn into five years of exhibitions, placements, and collector introductions — often the difference between a career and a hobby.

Artists who land consistent representation routinely earn tens of thousands of dollars per year from a single gallery. The bottleneck between most artists and that outcome isn't the work. It's the twelve emails they never sent because they didn't know what to say. That's what $17 solves.

Get The Toolkit — $17

Instant download · 14-day refund · No upsells at checkout

The value stack

$521 of tools for the cost of a cheap lunch.

Each asset above exists as a standalone tool with its own value. Priced separately, the whole thing comes to $521. Bundled into the Toolkit, it's $17 tonight.

10 Cold Email Templates + 10 Worked Examples$247
3-Email Follow-Up Sequence$97
Gallery Research Checklist$49
25 Subject Line Swipe File$79
Rejection Response Template$49
Total value$521
Your price today
$521$17
Get The Toolkit — $17

Instant download · 14-day refund · No upsells at checkout

Who this is for

Built for serious artists. Not for everyone.

Perfect if you are
  • An emerging artist with a body of work and no idea how to start reaching out.
  • A mid-career artist tired of sending the same tired email and getting silence.
  • Coming off a residency, MFA, grant, or major project with momentum to capture.
  • An artist who hates writing marketing copy.
Skip this if you are
  • Still building your first coherent body of work. Make the work first.
  • Looking for a magic-bullet guarantee of gallery representation.
  • After a 400-page career book — you want ArtistOS.
  • Shopping for the cheapest possible email resource online.
Let's be honest

What the Toolkit will — and won't — do.

This is not a magic ticket. Nothing in the Toolkit guarantees you a meeting, a studio visit, or gallery representation. Anyone selling you that guarantee is lying — and you should keep your $17.

Here's what the Toolkit does guarantee: if you put in the work and use the system the way it's built, you will send better emails than 95% of the artists in a gallerist's inbox. Better subject lines. Better opening sentences. Better follow-ups. A better relationship with the word "no." And a much better chance of getting a reply than you have today.

Gallery outreach is a numbers game played over years — not a lottery ticket scratched on a Sunday night.

One silent inbox doesn't mean the system failed. It means that gallery, on that week, wasn't the right fit. Send the next one. Send the one after that. Re-engage the silent ones in six months with new work. The artists who eventually get picked up aren't the ones with the best single email — they're the ones who keep sending thoughtful, personalized pitches consistently, for months and years.

The Toolkit is the toolkit. You still have to show up and swing the hammer — personalize each template, do the 15 minutes of research, send the follow-ups, and treat outreach as a long-term practice, not a one-night experiment. Do that, and your odds go up meaningfully. Skip any of it, and no template on earth will save you.

Results depend on your work, your research, your follow-through, and the fit between your practice and the galleries you pitch. Like anything worth doing — this takes patience.

From artists who've worked with Chris

A reference check, not a sales pitch.

"Chris' vision and support for artists is cutting edge. His international network and contacts have led to amazing opportunities and advancement in my career both domestically and internationally. His belief and outlook have inspired me to take risks and keep taking my photography to another level."

— Jessie Chaney, Artist

"Chris Davies has provided me with invaluable guidance in the challenging arena of marketing, branding and professional presentation. Because of his vast experience across creative markets, he has mentored me in building my audience and growing my brand."

— Nancy R. Wise, Artist

"With Chris's knowledge across creative industries, his background in marketing, and his sincere desire to support people's careers, I've been exposed to opportunities I never thought possible. His guidance has given me the confidence to pursue new challenges and develop my own unique voice."

— Maureen J. Haldeman, Artist

"Chris has proven to be a trusted mentor and guide, drawing from his decades of experience and genuine ability to support creative professionals. I'm grateful to now be working at levels I never imagined possible."

— Rod Cusic, Artist

"It's always a pleasure working with Chris. He's a terrific teacher who kindly and generously shares his knowledge."

— Sharon Weiner, Mixed Media Artist

The Creative Practice is coming soon — a full ecosystem for artists who want to build a career, not just a portfolio. Get on the waitlist →

Questions

Before you click buy.

Yes. There's a dedicated International Gallery Outreach template that treats geography as a feature, not a bug. The other nine work anywhere English-language gallery email is the norm — US, UK, Canada, Australia, most of Europe, major Asian markets.

Only if you send them as-is. Every template comes with 2–3 personalization notes — specific things to change, references to add, phrasing to rewrite in your own voice. Fifteen minutes of personalization per email, not fifteen seconds.

If you have a coherent body of work and a portfolio, it's not too soon. If you don't have that yet, hold off — spend six more months in the studio and come back when the work is ready.

No — and you should run from anyone who promises that. The Toolkit will meaningfully improve the quality of your outreach and your odds of getting a reply, but gallery representation depends on the work, the fit, and timing, and no email on earth can force those. Think of this as a skills upgrade for a practice you need to run consistently over months and years — not a one-shot ticket.

More than you think. A single unanswered email doesn't mean the system failed — it means one gallery, on one week, wasn't the fit. The artists who get picked up send ten, twenty, fifty thoughtful pitches over a year or two, follow up, re-engage the quiet ones six months later, and keep going. The Toolkit makes each of those emails dramatically better. You still have to send them.

Instant download, delivered via your email after checkout. You'll also get a welcome note with a one-line suggestion on which template to start with.

Yes — 14 days, no questions asked. Email me and I'll refund you in full. The only ask is that you actually tried at least one template first.

Ready?

Get the emails that actually get opened.

For $17, you get the exact templates, subject lines, follow-ups, and research checklist that turn "I should really email some galleries" into a pipeline that actually runs.

The Gallery Pitch Toolkit

Instant download. 14-day money-back guarantee. No upsells at checkout.

Get The Toolkit — $17

Single-artist license. Created by Chris Davies.